Sound post production.
From dailies to delivery — sound design, mixing, mastering and ADR for film, television, and commercials. Stereo to Dolby Atmos.
Full sound post production.
We take care of the sound post-production of your project from beginning to end — coordinating and supervising all processes and professionals involved.
Whether it's a film, a series, a documentary, a TV show, a short, a spot, a game, or any other audiovisual project, we apply our craft and dedication to deliver the best mix possible in any format, from Mono to Dolby Atmos.
When supervising a full sound post-production, we collaborate with leading Foley studios and artists around the world, coordinating the entire process so our clients can focus on their project rather than juggling vendors.
Mastering for any format.
Downmixing, upmixing, pull-ups and pull-downs, mastering.
If the mix is already finished but needs to meet specific deliverables, we adjust it. We transcode, adapt, and master audio to meet any current industry requirement, including EBU R128 and Netflix specifications.
We offer professional pull-ups and pull-downs (frame-rate conversions) with pitch correction, and upmixing and downmixing services up to Dolby Atmos Home. Alongside our mastering and authoring services, we can deliver in multiple formats including Dolby-E.
Voice-over and ADR.
Finding the right voice to carry your story is essential.
We have a wide pool of talent and we expand our database constantly. Whatever language you need or wherever the talent is located, we can find them and proceed with the recording online — we can connect to virtually any studio in the world.
We specialise in ADR recording, using industry-standard location microphones and able to match production sound on demand to seamlessly integrate ADR with original dialogue. We also provide experienced loop groups in Spanish and Catalan.
Dialogue editing.
Dialogue editing is key to any audiovisual project.
We work to preserve the original performances and deliver them clean — without artefacts or distractions — so the audience can simply listen. We conform, clean up, and synchronise production recordings, flagging and integrating ADR where needed to create a seamless playback.
Sound design.
Sound design is where the world of your film comes alive.
We fill it with top-quality background ambiences and sound effects, as well as custom-recorded and processed sounds for your project. We can both recreate the atmosphere of a real place or invent the sound of something that has never existed. The goal is the same: a sonic world that doesn't just complement the picture, it enhances it.
Re-recording mixing.
The mix is where the soundtrack comes together and final decisions are made.
We balance every sound — technically and creatively — to deliver our clients' sonic vision while meeting all the technical requirements for stereo, 5.1, or Atmos.
Sala Monrós
Our largest 5.1 editing and mixing studio, on the main floor. 16-channel Avid S3 with Avid Dock controller, cinema projector, and a 7.1.4 Atmos Home calibrated Genelec monitoring system. Pro Tools Ultimate with an extensive, curated plug-in chain. The room's acoustics have translated to theatres of every size — and for TV and online projects we toggle a separate calibration with one click.
Studio 2
On the upper floor — a noise-isolated recording booth with a Neumann U87 for crystal-clear capture. Built for remote collaboration: real-time monitoring and direct communication with talent anywhere in the world via Source-Connect, Session Link, Meet, Skype, or Zoom. Doubles as an editing and mixing room for non-cinema projects: Antelope Zen Tour interface, SSL UF8 controller, near-field calibrated 5.1 Genelec surround, Pro Tools Ultimate, and the same plug-in chain as the main studio — so sessions move seamlessly between rooms.